| |
By Culturekiosque Staff
ST. PETERSBURG, FLORIDA, 15 MAY 2012 — Members of the Collectors
Circle, a support group at the Museum of Fine Arts, St. Petersburg,
voted for Fletcher Martin’s The Undefeated (about 1948) to
be added to the museum's permanent collection.
Acquired
for an undisclosed purchase price and currently on view at the MFA, the American painting conveys the drama
surrounding the great Joe Louis’s last championship match in 1948. Instead
of depicting the winner, Martin focused on his opponent, Jersey Joe
Walcott, trying to rise after a knockout in the 11th round. He is
supported by referee Frank Fullam.
Fletcher Martin
(American, 1904-1979): The Undefeated (about 1948)
Oil on
canvas
Museum Purchase with funds provided by the Collectors
Circle
The rivalry between Louis and Walcott was legendary. Both had risen to
stardom in the face of terrible discrimination against African American
athletes. Louis won a heavily contested 15-round decision against Walcott
in 1947, leading to this much publicized rematch.
Walcott may look
physically battered in The Undefeated, but the painting’s
verticality supports his determination, his effort to move upward. The
bold ropes slice through the space, indicating the tension and force of
the fight. Martin also emphasizes Walcott’s right arm. The boxer was known
for his right punch. In the painting, he is battling himself, his physical
limitations, more than champion Joe Louis.
Jersey Joe finally won
the heavyweight crown in 1951 at age 37. He went on to pursue a
number of careers — boxing referee, professional wrestler, and public
servant. He even appeared in the move The Harder They Fall (1956)
with Humphrey Bogart, and in 1971, became the first African American to be
elected sheriff in Camden County, New Jersey. This accomplished man, who
had to leave school after his father’s death to support his mother and 11
siblings, spent his life breaking barriers. He passed away in 1994 at the
age of 80. He truly was "the undefeated." Martin’s painting is prescient.
According to Chief Curator Jennifer Hardin, this large-scale work
"relates not only to works of the period, like the dramatic posters and
paintings of Ben Shahn and murals by John Steuart Curry, but also to
canonical subjects in art history, such as martyrdoms and depositions.
Martin is represented in a number of major collections, including the
Museum of Modern Art."
Related Culturekiosque
Archives
Book Review: Harlem: A Century
in Images
Feature: American Artists and the Louvre
Sport: Ring Kings:
Mayweather vs. Cotto Fight Live in Movie Theaters Nationwide
The Jazz
Century Opens at the CCCB in Barcelona |
Art and Archaeology News
Headline Feed
Email to a friend