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CÉZANNE AND BEYOND OPENS IN PHILADELPHIA |
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By Alan Behr PHILADELPHIA, 2 MARCH 2009 Cézanne, who hit his stride only after he hit middle age, is a patron saint of late bloomers and an artist of intergenerational influence. The exhibition now at the Philadelphia Museum of Art, displays works of Cézanne by subject matter (portraits of women, landscapes, still lifes), along with works by artists he influenced, from Alberto Giacometti to Ellsworth Kelly, Marsden Hartley and Jeff Wall. A wall label quotes the art historian David Sylvester as naming Piet Mondrian "Cézanne's truest heir."
The works on display in Philadelphia point to a different in many ways more logical dauphin: Henri Matisse . In a room filled with still lifes, The Table (1920) by Georges Braque is displayed along with a quotation from the artist that says much about Cézanne's influence: "I wanted nothing more than to paint like Cézanne. Fortunately, my wish was never granted for, if it had been, I would never have painted like Braque." It is no dishonor to Braque that the exhibition also reminds us that, whatever the inspiration, no artist has brought such intrigue and evocation to the simple still life as had Cézanne.
The exhibition is accompanied by a scholarly publication that is dedicated to Anne d'Harnoncourt and is co-published by the Philadelphia Museum of Art and Yale University Press. Philadelphia is the only venue for Cézanne and Beyond. Title photo: Paul Cézanne: The Smoker, 1890 - 92 Cézanne and
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