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Calendar: Germany

Events in Art and Archaeology

Taryn Simon: A Soldier is Taught to Bayonet the Enemy and not Some Undefined Abstraction
DRESDEN, GERMANY  •  Albertinum  •  27 October 2016 - 15 January 2017
 
 
Whether American artist Taryn Simon seeks out unusual places within the US or explores the cataloguing system of the legendary picture collection of the Mid-Manhattan Library; whether she documents smuggled goods at the New York airport or combines local internet search engines to perform a global image search; whether she catalogues birds that can be seen flying through James Bond movies or reconstructs the floral centerpieces in photographs that show historical and current treaty signings—all of her work develops out of research that often takes years. What results are extensive photographic series in which the subject is spread out and classified as in an index of images. Simon makes use of the medium’s documentary power and its potential for reproduction as much as its ability to stage a subject.

Contact:

Albertinum
Tzschirnerplatz 2
01067 Dresden
Germany

 


Tel: (49) 351 - 49 14 2000

Revisiting Rome: Prints of the Eighteenth Century
DRESDEN, GERMANY  •  Residenzschloss (Royal Palace) Kupferstich-Kabinett  •  19 October 2016 - 15 January 2017
 

In the eighteenth century Rome was a popular travel destination. Its remains of antiquity, the Renaissance and Baroque monuments transformed the city into a laboratory of urbanistic and aesthetic innovation. As a location with a rich publishing tradition, Rome also had the necessary infrastructure at its disposal to effectively spread the fame of local landmarks through printed images: Illustrators, engravers and etchers met here with publishers, printers and distributors of different nationalities.

For artists Rome was also an inexhaustible source of inspiration for architectural fantasies, which, alongside the realistic panoramas, enjoyed a growing popularity. With these inventions, Veneto-born architect Giovanni Battista Piranesi caused something of a stir. At the time, his masterly etchings were significant in establishing Rome alongside Venice as a center of Italian printmaking.

During his lifetime, almost the entire etched œuvre of the artist made its way to the Dresden Kupferstich-Kabinett. The purchase of Piranesi’s works is only one example of the extensive and selective acquisitions of Roman printmaking that were made at the time. Piranesi’s lifespan covers roughly the same time frame as the exhibited works, which concentrate on panoramas of the ancient and modern Rome as well as unreal spaces. To this day, most of these sheets are bound in so-called collector’s albums – large format volumes that were preferred in the eighteenth and nineteenth centuries for the storage and presentation of print collections.

Additionally, with caricatures by Pier Leone Ghezzi the exhibition offers insights into who populated the streets of the Eternal City in the eighteenth century. Numerous Ghezzi drawings were etched by order of the Saxon Royal Court. Today these sheets are presented as a particularly charming witness of the intensive relationship between Rome and Dresden at that time.

A catalog published by Sandstein-Verlag Dresden accompanies the exhibition.



Contact: Residenzschloss (Royal Palace) Kupferstich-Kabinett
Taschenberg 2
01067 Dresden
Germany
Tel: (49) 351 - 49 14 20 00



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