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Georg Baselitz: <EM>Blocked Painter</EM>, 1966Oil on canvas162 x 130 cmMKM Museum Küppersmühle für Moderne Kunst, Duisburg, Sammlung Ströher© Georg Baselitz 2016Photo: Archiv Sammlung Ströhe
Georg Baselitz: Blocked Painter, 1966
Oil on canvas
162 x 130 cm
MKM Museum Küppersmühle für Moderne Kunst, Duisburg, Sammlung Ströher
© Georg Baselitz 2016
Photo: Archiv Sammlung Ströhe
Georg Baselitz: The Heroes
FRANKFURT, GERMANY  •  Städel Museum  •  30 June - 23 October 2016
 

In a monographic exhibition, curated by Städel director Max Hollein, some seventy paintings and works on paper by German artist Georg Baselitz (born 1938) are on view.

In 1965, Georg Baselitz perceived the order of post-war Germany in its state of multifaceted destruction – ideologies and political systems, but also artistic styles were up for discussion. This lack of order was very much in keeping with the artist’s own nature: appropriation through artistic categorization was something that remained foreign to him all his life. From the perspective of his fundamentally sceptical attitude he therefore emphasized the equivocal aspects of his time. His monumental Heroes in their tattered battle dress, figures marked as much by failure as they are by resignation, possess an accordingly contradictory character. The fact that the artist – who was a mere twenty-seven years of age at the time – devoted himself to the subject of “Heroes” or “Types” at all was provocative per se. (Male) heroism and its onetime exponents had been called into question by the war and the post-war period. The fragile and paradoxical character of the “Heroes” with regard to content finds its equivalent in their form. The consistently frontal depiction and central placement of the clearly outlined figure contrast with the wildness of the palette and the vehemence of the painting style. Baselitz thus illustrated a reality unwelcome in the German Federal Republican success story of the economic miracle – and what is more, to do so he availed himself of figuration, a supposedly obsolete form. Yet Baselitz was concerned here with far more than general social issues – he was also reflecting on his own position in relation to society. The result is a forceful assertion of the self and definition of identity that runs contrary to all of the currents of the period in question.

The travelling exhibition’s subsequent venues will be the Moderna Museet in Stockholm, the Palazzo delle Esposizioni in Rome and the Museo Guggenheim Bilbao.



Städel Museum Website


Contact: Städel Museum
Schaumainkai 63
60596 Frankfurt am Main
Germany
Tel: (49) 69 60 50 980



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