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Calendar: Germany

Events in Art and Archaeology

Philip Guston
MUNICH, GERMANY  •  Pinakothek der Moderne  •  2 April - 21 June 2015
 
The Staatliche Graphische Sammlung hosts an exhibition featuring about 85 artworks, from large-scale lithographs to smaller acrylics, by the influential North American artist Philip Guston (1913-1980). Following the much-acclaimed exhibition of Philip Guston’s drawings organised by the museum in 2007/08, the Staatliche Graphische Sammlung is dedicating a further show to this artist which will be structured in three sections: in addition to his lithographs, the exhibition will present drawings, which Guston created since the sixties in collaboration with contemporary writers and poets, as well as an important ensemble of 26 acrylic works that he completed in spring 1980, the last productive period of his artistic career.

Pinakothek der Moderne Website


Contact: Pinakothek der Moderne
Barer Straße 40
80333 München
Germany
Tel: (49) 89.23805-36

Marie-Gabrielle Capet: <EM>Studio Scene</EM>, 1808© Bayerische Staatsgemäldesammlungen, Neue Pinakothek, Munich / Pinakotheks-Verein
Marie-Gabrielle Capet: Studio Scene, 1808
© Bayerische Staatsgemäldesammlungen, Neue Pinakothek, Munich / Pinakotheks-Verein
Images of the Artist
MUNICH, GERMANY  •  Neue Pinakothek  •  26 February - 8 June 2015
 
The exhibition Images of the Artist covers a broad spectrum of artistic (self-)representation in the 19th century and traces the roots of those motifs which, to a great extent, still mould the picture we have of an artist to this day. Especially in the age of selfies, in which the establishment of an image of oneself in digital media and on social networks has become a much-discussed phenomenon, the question of an artist’s self-fashioning with its related visual and narrative strategies seems to be more current than ever before. What is an artist? Time and again painters and sculptors have looked for an answer to this question through their works. The self-portrait is without doubt the genre of painting in which this examination can best be traced. However, not only (self-)portraiture addressed the subject of being an artist, but history paintings and studio views did so as well. With depictions of artists in Munich at the time of Ludwig I and pictures of artists in Impressionist Paris – from Wilhelm von Kaulbach’s fresco designs with artists’ portraits for the Neue Pinakothek to Édouard Manet’s portrait of Claude Monet working on his studio boat –, the exhibition highlights the motifs and stimuli for the depiction of artists in the 19th century. The exhibition comprises some 50 works, the majority being paintings, but including sculptures and prints as well.

Neue Pinakothek Website


Contact: Neue Pinakothek
Barer Straße 29
80799 München
Germany
Tel: (49) 89.23805-195

David Adjaye, <EM>Elektra House</EM>, London, 2000Photo: Lyndon Douglas
David Adjaye, Elektra House, London, 2000
Photo: Lyndon Douglas
David Adjaye: Form, Heft, Material
MUNICH, GERMANY  •  Haus der Kunst  •  30 January - 31 May 2015
 

The heterogeneous work of architect David Adjaye (b. 1966) comprises approximately 50 built projects - from luxury shops and museums to libraries and social housing. His most recent commissions include the design of the National Museum of African American History and Culture in Washington, D.C., as well as the National Museum of Slavery and Freedom in Cape Coast, Ghana. The buildings of the Ghanaian-British architect are often developed in collaboration with artist friends, including the homes he designed for Chris Ofili, Sue Webster and Tim Noble, and Lorna Simpson and James Casebere.

Adjaye's private structures play with the contrast between hermetically sealed fronts and unexpectedly generous openings in the back, thereby accommodating the owners' need for a private retreat. In contrast, as open and permeable structures, his public buildings are socially effective architecture. Unlike structures of pure functionalism and iconic monumentality, they approach their users rather than patronizing them. Adjaye often uses materials that change color through their exposure to light, take on different textures due to varying weather conditions or provoke viewers to touch them because of their distinctive tactile qualities. They thereby also engage sensually in a dialogue with their audience. 

The survey exhibition, the most extensive of Adjaye's career, is organized by Haus der Kunst and Art Institute of Chicago. It is curated by Okwui Enwezor, director of Haus der Kunst, Munich, and Zoë Ryan, John H. Bryan Chair and Curator of Architecture and Design at the Art Institute of Chicago.



Haus der Kunst München Website


Contact: Haus der Kunst
Prinzregentenstraße 1
80538 Munich
Germany
Tel: (49) 89 21 12 71 13



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