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Betye Saar: Migrations / Transformations

Betye Saar: <EM>Ragtime</EM>, 2005Mixed media box assemblage 19" x 20" x 2", signed, titled and datedPhoto courtesy of Michael Rosenfeld Gallery
Betye Saar: Ragtime, 2005
Mixed media box assemblage
19" x 20" x 2", signed, titled and dated
Photo courtesy of Michael Rosenfeld Gallery
Betye Saar: Migrations / Transformations
NEW YORK  •  Michael Rosenfeld Gallery  •  Ongoing

From tribes to chains; from community to cargo; from farms to ships to plantations; from South to North; from slavery to freedom - the migration routes of black people from Africa to America form the subject of Betye Saar's new series, Migrations/Transformations.

In seventeen mixed media collages and assemblages, Saar narrates seventeen distinctive journeys. By layering carefully selected clues - a gold button, an African mask, a slave ship diagram, a weathered photograph, a pressed leaf, a tattered American flag - she constructs fictional biographies of nameless characters that represent the historical passages of millions. Haunted by memories of Africa or the trauma of the Middle Passage, Saar's journeys remind us that history is not simply the recording of past events - it is a living, breathing entity, filling the space of our present and shaping contemporary identities.

A fully illustrated color catalogue with an artist statement and essays by Whitfield Lovell, Tracye Saar-Cavanaugh, Lowery Stokes Sims, and Sean Ulmer accompanies the exhibition.

Born in Los Angeles in 1926, Betye Saar received her BA from the University of California, Los Angeles in 1949. She continued her education through graduate programs at California State University at Long Beach, the University of Southern California, and California State University at Northridge. A self-described mixed media collage, assemblage, and installation artist, Saar is recognized for works that incorporate the many materials and objects she has found, collected, and preserved. In 1972, she became widely known with her celebrated assemblage The Liberation of Aunt Jemima (now in the permanent collection of the Berkeley Art Museum, University of California).

Saar has been the recipient of numerous awards of distinction, including two National Endowment for the Arts Fellowships (1974, 1984) and a J. Paul Getty Fund for the Visual Arts Fellowship (1990). In 1994, Saar, along with artist John Otterbridge, represented the United States at the 22nd Biennial of São Paulo in Brazil.

Michael Rosenfeld Gallery Web Site

Contact: 24 West 57th Street (btw 5th and 6th), 7th Floor
New York, NY 10019
Tel: (1) 212 247 00 82

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