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CD REVIEWNETHERLANDS BACH SOCIETY TO TOUR US
Jos van Veldhoven |
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By Joel Kasow NEW YORK, 9 APRIL 2007— The Netherlands Bach Society has undergone several metamorphoses in its more than 80 years of existence, from a large-scale group giving performances of Bach’s choral masterpieces that would make today’s purists shudder to its conversion to applying what is today understood as a "correct" musicological approach. A recent recording of the St. John Passion and a new recording of the B-Minor Mass use small instrumental and vocal forces, maximum three to a part and usually fewer. For those of us growing up in an earlier age where the approach tended to the monumental, it is sometimes difficult to accept this small-scale approach, but on its own terms it is clear that Jos van Veldhoven’s long acquaintance with the music pays off. Singers and instrumentalists are devoted to the cause, and their American appearances this spring should bring a welcome breath of air. But there is nonetheless a nagging demon in my subconscious that suggests that this is certainly a far more economical approach to performing these masterpieces, just as the current enthusiasm for the double-piano version of Brahms’ German Requiem or the chamber orchestra version of Mahler’s Lied von der Erde . 18 April at 8
pm New York, Metropolitan
Museum of Art The spring tour of the United States coincides with the release tomorrow of the B-Minor Mass, the third installment in The Netherlands Bach Society's series of recordings of sacred works by J.S. Bach for Channel Classics. Like the two previous releases in this series, Bach's Christmas Oratorio and his St. John Passion, the new production of the B-Minor Mass has been realized in collaboration with the Museum Catharijneconvent in Utrecht , one of the great repositories of Christian art.
J. S. Bach: B Minor Mass BWV 232
J. S. Bach: St. John Passion, BWV 245
Joel Kasow is a senior editor at Culturekiosque.com Related CK Archives CD Tip:
Dietrich Buxtehude: Membra Jesu Nostri
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