The first of Angel's "champagne operettas" in 1953, and never surpassed despite the few cuts and the bassy voice of Kunz as Danilo; he nonetheless has the music in his bones, while Schwarzkopf had not yet acquired the mannerisms which disfigure the remake.
Dietrich Fischer-Dieskau, baritone; Joerg Demus, piano
DGG
Gérard Souzay, baritone; Dalton Baldwin, piano
Ducrétet-Thompson
You won't find either of these in the shops as they have never been reissued. F-D's remake with Barenboim is available but lacks the freshness of the earlier version, although you get much more music. Souzay, as always, offers the antidote to those who find F-D too emphatic.
Agnès Mellon, Guillemette Laurens, Guy de Mey, Jean-François Gardeil
Chorus and Orchestra of Les Arts Florissants
William Christie, conductor
Harmonia Mundi
The recording which revealed Lully's genius to a suspicious public, based on a historic stage performance, which helps the performers recreate the theatrical atmosphere for the microphone. Christie is the inspirational factor, much abetted by the original stage director, Jean-Marie Villègier.
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