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A Weekend at the Festival de
Beaune
by Joel Kasow
BEAUNE, FRANCE, 8
July 1998 - Beaune's 16th International Baroque Music Festival got
off to a flying start last weekend with three concerts and a medieval
buffet. The magic setting in the courtyard of the Hospices de Beaune
was unfortunately not used this weekend because of the uncertain
weather conditions, so that once again we were in the Basilica which
offers an extremely favorable acoustic. Marc Minkowski and Les
Musiciens du Louvre - Grenoble displayed their customary verve in a
program devoted to Handel's Roman Motets, of which the Dixit
Dominus has long been a popular favorite and here rightly brought
the opening concert to a roaring conclusion. The 1707 Laudate
Pueri and the Salve Regina have merited recordings by
various sopranos, even though here sung by mezzo Magdalena Kozena who
experienced no difficulty in this terrifying music. But that was
nothing in comparison to the perils awaiting Sandrine Piau in Saeviat
Tellus, which did guarantee an explosive opening to the concert,
comparable to the effect made by Annick Massis a few years back when
she sang in Handel's Risurezione here. The music covers at
least a two-octave range, is strewn with fiendishly complicated
coloratura and demands unbelievable lung power: Ms. Piau made it with
room to spare so that the audience was left even more breathless than
the soprano at the conclusion.
Saturday evening was devoted
to Vivaldi under the motoric bow/baton of Fabio Biondi leading Europa
Galante. Three of Vivaldi's Concerto Grossi Opus 3 that are part of
the violinists's first recording for his new company rounded out a
program that should have allowed us to hear a complete opera by the
Red Priest, but the difficulty of producing a performing edition meant
that we heard three soprano solos by Maria Costanza Nocentini, three
mezzo solos by Laura Polverelli of the sumptuous timbre and one duet.
Unfortunately, Biondi's relentless approach too often obscures the
subtleties of the music. A pizzicato accompaniment to a mezzo aria
from Atenaide was more notable for the instrumental music than
a vocal line of limited interest, despite Polverelli's seamless
vocalizing.
Because this year is the 900th anniversary of
the founding of the Abbey of Citeaux, where the Cistercian movement
started, a marathon concert was organized in the Salle des Pôvres
of the Hospices, with the theme " De la paix des cloîtres
aux routes de l'orient ". At 8 pm, Joan-Luc Madiér and
Dominique Regef offered Chants de Troubadours, which found an
echo in the concluding section offered by Anne Azéma and Joël
Cohen where the emphasis was placed on a reversal of courtly
tradition. At 11:30, all four of these performers joined up to close
the musical part of the evening with a dialogue between a troubadour
singing in occitan and a Genoese lady. In between Brigitte Lesne's
group all-female group Discantus gave us a generous three quarters of
an hour of Chants moniales , the needed contrast brought by
the constantly changing groups of singers. I was least happy with an
interminable Chants de Trouvères & de Croisades
offered by Ensemble Alla Francesca, three performers (including
Brigitte Lesne) performing on flutes, bagpipes, vièle, rebec,
cistre, harpe, percussion and chifonie - whatever that might be - and
also singing.
More fun was to be had at the ensuing buffet
in the gardens of the Hospice, prepared by chef Jean Garcin from the
Restaurant of the Hotel Central at Beaune, featuring: Fromentée
à l'orge perlé et aux légumes, Tourte de carpes
marinées au vin rouge à l'estragon, Champignons et
herbes en croste, Fromage de Citeaux et Pain d'espiaute, Reboulastre
d'oeufz aux oranges and Mets de pommes et de poires plumées à
la cannelleto round off the meal. Twenty-one different wines were
available for tasting (and drinking), including a 1988 Corton Grancey
Grand Cru, a 1987 Clos de Tart Grand Cru, 1991 Corton Grand Cru, 1992
Aloxe Corton, and a heavenly 1994 Château de Rully.
The festival continues, every weekend until 1 August, with details to
be found in Culturekiosque's
Opera Festival Calendar |
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