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Events in Art and Archaeology

<P>Bosch: The 5th Centenary Exhibition</P>

Bosch: The 5th Centenary Exhibition

Bosch: The 5th Centenary Exhibition
MADRID  •  Museo del Prado  •  31 May - 25 September 2016
 

The exhibition that marks the 5th centenary of the death of Jheronimus Bosch (on display until 11 September 2016), representing an unrepeatable opportunity to see a remarkable group of works comprising the eight original paintings by the artist to be found in Spain together with others loaned from collections and museums around the world. This represents the greatest number of Bosch’s works ever to be assembled, created by one of the most enigmatic and influential artists of the Renaissance.

The exhibition also includes works produced in Bosch’s studio or by followers from now lost originals. Another group, which includes paintings, miniatures, engravings by Alart du Hameel, reliefs by Adrien van Wesel and the manuscript of the Comentario de la pintura by Felipe de Guevara, allows for a better understanding of the context in which Bosch produced his works, the personality of some of his patrons, such as Engelbert II of Nassau, and the status of painting in the 16th century.

Thanks to Philip II’s interest in Bosch, Spain has the finest group of original paintings by the artist, all of which are included in the exhibition. The Prado, which together with Patrimonio Nacional inherited the Spanish royal collection, now houses six of his works, including the triptychs of The Garden of Earthly Delights, The Adoration of the Magi and The Haywain.



Museo del Prado Website


Contact: Museo del Prado
Paseo del Prado
Madrid
Tel: (34) 902 10 70 77

Enamelled and gilded copper ding-shaped censer. Jingtai reign, 1449–57© Nanjing Museum.
Enamelled and gilded copper ding-shaped censer. Jingtai reign, 1449–57
© Nanjing Museum.
Ming: the Golden Empire
BARCELONA  •  la Caixa” Foundation  •  15 June - 2 October 2016
 

 “Great brilliance”. This is the meaning of the Chinese expression Da Ming, the name of the dynasty that ruled China for nearly three centuries. From 1368 to 1644, sixteen Ming emperors governed a population that rose from 65 million to nearly 175 million over the period, one that also saw the rise of a complex imperial system, the growth of social structures and a boom in the economy and in consumer culture. This long, stable reign enabled a solid base to be established for creativity and social progress, generating the extraordinary artistic, social and economic transformation that is the main theme of this major exhibition. Accordingly, Ming, the Golden Empire focuses on Chinese society, culture and art over the period through 126 exceptional artefacts, including ceramics, fabrics, precious metal work, paintings and works on paper. These objects all come from the Nanjing Museum, which boasts one of the finest collections of art from the Ming period, pieces now seen in Spain for the first time.

The Nanjing Museum, China’s first great national museum, conserves more than 400,000 pieces, spanning the period from the Palaeolithic to the present. These holdings include one of the finest collections of works from one of the most important dynasties in China, which has exercised the greatest influence in arousing admiration for the country’s culture around the world.



la Caixa” Foundation Website


Contact:

 la Caixa” Foundation
Av. de Francesc Ferrer
i Guàrdia, 6-8
08038 Barcelona Spain


Tel: (34 ) 93 476 86 00

Punk: Its Traces in Contemporary Art
BARCELONA  •  Barcelona Museum of Contemporary Art  •  13 May - 25 September 2016
 
 

Punk is an attitude. An attitude made of rage, speed, noise, incorrectness, nonconformity, denial, opposition and provocation that runs through the 20th century and extends beyond the 1970s, beyond the Anglo-Saxon context and beyond the music scene. An explosion whose effects make punk one of the most influential cultural references of the 20th century.

Between 1976 and 1978, in London and New York, punk emerged as an explosion: a few bands born around fanzines, trendy shops and concert halls demonstrated their opposition to the conventions of the music industry, fashion and the socio-political panorama, making denial, speed and a lack of virtuosity its leitmotiv. It was a reaction to a society marked by the end of the hippie dream, the return of conservatism, the emergence of terrorism, the oil crisis and the lack of a future for young people condemned to the dole. "No future" was one of the slogans appropriated from previous movements like Situationism and Dada. But unlike them, punk emerged in the midst of mass culture, prompting its expansion beyond the Anglo-Saxon world and escaping the boundaries of music. This expansion superseded the concrete historical phenomenon, turning punk into an adjective that qualifies a way of understanding the world.

The purpose of PUNK. Its Traces in Contemporary Art is to examine its influence on contemporary art, establishing a genealogy that reaches to our own time, and, in the words of Greil Marcus in Lipstick Traces, to follow its traces to the present. This is to corroborate an intuition: that beyond the divisions that exist between artists, trends or media, there is a rabid noise that unites many creators. That is, the punk attitude, whose history can be traced from Dadaism to Situationism, is still very much alive in contemporary artistic production. Taking up the famous phrase "punk is (not) dead" is to assert that effectively punk is one of the living dead, a zombie that has continued to gain adherents.

Some of the more than 60 artists in the exhibition witnessed and took part in the explosion of punk in the '70s, marking their artistic activity as true instigators and activists. Others are older: they anticipated and demonstrate the historical ties of punk with other radical movements. For many, the punk explosion appears as an explicit reference: the use of elements such as noise, cut-out typography, anti-design and ugliness; or the inclusion of direct musical references. The exhibition also presents traces of punk as an attitude: denial, opposition and destruction; the DIY; the reference to fear and terror in a society that alienates individuals; nihilism; a critique of the economic system and anarchy; and the claim of sexual liberation itself, the body as a place of battle. Finally, there is a selection of fanzines, videos, films, feature articles, posters, books and records documenting the history of punk, its explosion and its impact on different contexts.

Participating artists:

Carlos Aires, Marcel·lí Antúnez, Martin Arnold, Fabienne Audéoud, Eduardo Balanza, Bill Balaskas, Jean-Michel Basquiat, Jordi Benito, Laurent P. Berger, Chris Burden, Tony Cokes, Jordi Colomer, Brice Dellsperger, DETEXT, Die Tödliche Doris, Christoph Draeger, Jimmie Durham, Tracey Emin, Mario Espliego, VALIE EXPORT, Hans-Peter Feldmann, Claire Fontaine, Chiara Fumai, Iñaki Garmendia, Kendell Geers, Gelitin, Nan Goldin, Douglas Gordon, Dan Graham, Eulàlia Grau, Johan Grimonprez, Guerrilla Girls, Antoni Hervàs, Jota Izquierdo, Mike Kelley, Martin Kippenberger, João Louro, Christian Marclay, Israel Martínez, Raisa Maudit, Paul McCarthy, Jonathan Meese, Jordi Mitjà, Joan Morey, Janis E. Müller, Matt Mullican, Itziar Okariz, João Onofre, Antonio Ortega, Luis Felipe Ortega and Daniel Guzmán, Tony Oursler, Mabel Palacín, Juan Pérez Agirregoikoa, Raymond Pettibon, Maria Pratts, Tere Recarens, Jamie Reid, Tim Reinecke, Aïda Ruilova, Pepo Salazar, Santiago Sierra, Federico Solmi, Natascha Stellmach, TRES and Gavin Turk, T.R. Uthco & Ant Farm (Doug Hall, Chip Lord, Doug Michels and Jody Procter)



Barcelona Museum of Contemporary Art Website


Contact:

Barcelona Museum of Contemporary Art
Plaça dels Àngels, 1
08001 Barcelona
Spain


Tel: (34) 93 481 33 68

Solidity and Beauty: Miguel Blay at the Museo del Prado
MADRID  •  Museo del Prado  •  19 April - 2 October 2016
 
 
The Museo del Prado marks the 150th anniversary of the birth of Miguel Blay (Olot, 1866 – Madrid, 1936), one of the most important Spanish sculptors of the late 19th and first third of the 20th centuries, with an exhibition of several important works from a career that reflects the different trends prevailing in sculpture during his lifetime, principally Realism, Modernismo and Symbolism. The show features drawings, medals, hand-written notes and key works within the artist’s oeuvre, including To the Ideal and Blooming.

Museo del Prado Website


Contact:

Museo del Prado
Paseo del Prado
Madrid

 


Tel: (34) 902 10 70 77



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