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<P>Hendrick Goltzius (1558–1617), <EM>Bacchus</EM>, ca. 1595Kupferstich. Platte 24.9 x 18.1 cm | Blatt 25.2 x 18.1 cm. Kunstmuseum Basel- Kupferstichkabinett- Alter BestandPhoto: Kunstmuseum Basel - Martin P. Bühler</P>

Hendrick Goltzius (1558–1617), Bacchus, ca. 1595
Platte 24.9 x 18.1 cm | Blatt 25.2 x 18.1 cm. Kunstmuseum Basel- Kupferstichkabinett- Alter Bestand
Photo: Kunstmuseum Basel - Martin P. Bühler

Enthralling Engraving: The Enterprise of Hendrick Goltzius
BASEL  •  Basel Kupferstichkabinett  •  20 August - 13 November 2016

The exhibition at the Basel Kupferstichkabinett presents a selection of around eighty of the finest works by the master from Haarlem, Hendrick Goltzius (1558–1617), including Biblical and mythological scenes and erudite allegories. Goltzius owes his prominent place in art history primarily to a career combining three vocations: he was an inventor, engraver, and publisher, pursuing all his ventures with unusual creativity as well as the utmost professionalism.

The exhibition illustrates that Goltzius’s great success did not grow solely out of his own creative powers. The publishing enterprise he launched in 1582 not only served to bring his own engravings to market, it also enabled him to harness the full potential of others. He collaborated with several renowned artists of his time such as Karel van Mander, Cornelis Corneliszoon van Haarlem, and Bartholomäus Spranger, whose creative ideals had a lasting influence on him. Goltzius increasingly devoted himself to the depiction of the naked human body, which he staged in uncommonly dynamic and artistic poses. His longstanding passion for mythological themes eventually led him to travel to Italy, where, in 1590–91, he seized the opportunity to study famed antiquities and masterworks of Italian art with his own eyes. A succession of talented associates in his workshop—Jacob Matham, Jan Muller, and Jan Saenredam—executed his engravings with the same perfection for which Goltzius was famous, allowing him to maintain a product range featuring a very wide array of themes and motifs without compromising the high technical quality of his output.

Kunstmuseum Basel Websitte

Contact: Kunstmuseum Basel
St. Alban-Rheinweg 60
CH-4010 Basel
Tel: (41) 61 206 62 62

Paul McCarthy: <EM>Snow White</EM> dwarf
Paul McCarthy: Snow White dwarf
Paul McCarthy
ST. GALLEN  •  Kunstmuseum St.Gallen  •  2 September - 13 November 2016

Paul McCarthy's work has inspired generations of young artists. Born in 1945 in Salt Lake City and now living in Los Angeles, he began his career as an artist staging performances. Early on, he dealt with painting in the form of what he called “painting as action” by using his own body as a paintbrush and bodily fluids as paint. This led to an artistic engagement with social taboos, eroticism, and sexuality.

At the same time, he turned toward stereotypical images from mass culture, such as those manifested in Disneyland, Hollywood films, and cartoons. Based on an animated film Snow White from 1937 produced by Walt Disney, in 2009 McCarthy realized an extensive series of works. The exhibition at the Lokremise St. Gallen features a complete set of his unique silicone Snow White dwarf sculptures to be presented alongside selected works by McCarthy from the extensive collection of Ursula Hauser—in a formally and conceptually virtuoso caricature.

The exhibition is accompanied by two recent films: WS Mammoth and WS 4 Channel, Single Projection, 7 Hours, co-directed by Paul and Damon McCarthy.

Kunstmuseum St.Gallen Website


Kunstmuseum St.Gallen
Museumstrasse 32
9000 St. Gallen

Tel: (41) 71 242 06 71

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