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Events in Art and Archaeology

<P>Hendrick Goltzius (1558–1617), <EM>Bacchus</EM>, ca. 1595Kupferstich. Platte 24.9 x 18.1 cm | Blatt 25.2 x 18.1 cm. Kunstmuseum Basel- Kupferstichkabinett- Alter BestandPhoto: Kunstmuseum Basel - Martin P. Bühler</P>

Hendrick Goltzius (1558–1617), Bacchus, ca. 1595
Kupferstich.
Platte 24.9 x 18.1 cm | Blatt 25.2 x 18.1 cm. Kunstmuseum Basel- Kupferstichkabinett- Alter Bestand
Photo: Kunstmuseum Basel - Martin P. Bühler

Enthralling Engraving: The Enterprise of Hendrick Goltzius
BASEL  •  Basel Kupferstichkabinett  •  20 August - 13 November 2016
 

The exhibition at the Basel Kupferstichkabinett presents a selection of around eighty of the finest works by the master from Haarlem, Hendrick Goltzius (1558–1617), including Biblical and mythological scenes and erudite allegories. Goltzius owes his prominent place in art history primarily to a career combining three vocations: he was an inventor, engraver, and publisher, pursuing all his ventures with unusual creativity as well as the utmost professionalism.

The exhibition illustrates that Goltzius’s great success did not grow solely out of his own creative powers. The publishing enterprise he launched in 1582 not only served to bring his own engravings to market, it also enabled him to harness the full potential of others. He collaborated with several renowned artists of his time such as Karel van Mander, Cornelis Corneliszoon van Haarlem, and Bartholomäus Spranger, whose creative ideals had a lasting influence on him. Goltzius increasingly devoted himself to the depiction of the naked human body, which he staged in uncommonly dynamic and artistic poses. His longstanding passion for mythological themes eventually led him to travel to Italy, where, in 1590–91, he seized the opportunity to study famed antiquities and masterworks of Italian art with his own eyes. A succession of talented associates in his workshop—Jacob Matham, Jan Muller, and Jan Saenredam—executed his engravings with the same perfection for which Goltzius was famous, allowing him to maintain a product range featuring a very wide array of themes and motifs without compromising the high technical quality of his output.



Kunstmuseum Basel Websitte


Contact: Kunstmuseum Basel
St. Alban-Rheinweg 60
CH-4010 Basel
Tel: (41) 61 206 62 62

<P>Betsabeé Romero, *1963, <EM>Piel de casa</EM>, 2001Color print on Kodak Professional Digital Paper mounted on aluminum, 69,5 x 103,9 cmDaros Latinamerica Collection, Zürich© The artis</P>

Betsabeé Romero, *1963, Piel de casa, 2001
Color print on Kodak Professional Digital Paper mounted on aluminum, 69,5 x 103,9 cm
Daros Latinamerica Collection, Zürich
© The artis

Without Restraint: Works by Mexican Women Artists from the Daros Latin America Collection
BERN  •  Kunst Museum Bern  •  3 June - 23 October 2016
 

The exhibition presents together for the first time contemporary Mexican art by women from the Daros Latinamerica Collection (Zurich). The works of the artists on show engage with the concept of mexicanidad—of Mexican national identity—and challenge the traditional roles and social spaces assigned to women and minorities by the prevailing hierarchies. Using different media, the artists overthrow the existing order of everyday life and routines which trap women in a labyrinth of traditional archetypes. Topics such as life and death, the violated body, identity, migration, nature and the metropolis are critically examined and discussed in their works.

Without Restraint  presents 35 works including photographs, video, obsjects and installations by Ximena Cuevas (1963), Claudia Fernández (1965), Teresa Margolles (1963), Betsabeé Romero (1963), Maruch Sántiz Gómez (1975), Teresa Serrano (1936) and Melanie Smith (1965). The exhibition was curated by Valentina Locatelli, from Kunstmuseum Bern.

The Daros Latinamerica Collection, based in Zurich, is a comprehensive private collection of contemporary art from Latin America. It includes over 1,200 works by 120 artists, comprising both individual works and groups of works in all media and genres, created mainly from the 1960s to the present day.



Kunst Museum Bern Website


Contact:

Kunst Museum Bern
Hodlerstrasse 8
3011 Bern, Switzerland


Tel: (41) 31 328 09 44

Paul McCarthy: <EM>Snow White</EM> dwarf
Paul McCarthy: Snow White dwarf
Paul McCarthy
ST. GALLEN  •  Kunstmuseum St.Gallen  •  2 September - 13 November 2016
 

Paul McCarthy's work has inspired generations of young artists. Born in 1945 in Salt Lake City and now living in Los Angeles, he began his career as an artist staging performances. Early on, he dealt with painting in the form of what he called “painting as action” by using his own body as a paintbrush and bodily fluids as paint. This led to an artistic engagement with social taboos, eroticism, and sexuality.

At the same time, he turned toward stereotypical images from mass culture, such as those manifested in Disneyland, Hollywood films, and cartoons. Based on an animated film Snow White from 1937 produced by Walt Disney, in 2009 McCarthy realized an extensive series of works. The exhibition at the Lokremise St. Gallen features a complete set of his unique silicone Snow White dwarf sculptures to be presented alongside selected works by McCarthy from the extensive collection of Ursula Hauser—in a formally and conceptually virtuoso caricature.

The exhibition is accompanied by two recent films: WS Mammoth and WS 4 Channel, Single Projection, 7 Hours, co-directed by Paul and Damon McCarthy.



Kunstmuseum St.Gallen Website


Contact:

Kunstmuseum St.Gallen
Museumstrasse 32
9000 St. Gallen
Switzerland


Tel: (41) 71 242 06 71



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