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Culturekiosque Travel Tips  •  United States: Current Listings

Events in Art and Archaeology

Seated figure, 17th–18th centuryMbembe peoplesEwayon River region, Cross River Province, NigeriaWood (Afzelia); H. 25 3/8 in. (64.5 cm)Musée du quai Branly, Paris (displayed at the Pavillon des Sessions, Musée du Louvre, Paris
Seated figure, 17th–18th century
Mbembe peoples
Ewayon River region, Cross River Province, Nigeria
Wood (Afzelia); H. 25 3/8 in. (64.5 cm)
Musée du quai Branly, Paris
(displayed at the Pavillon des Sessions, Musée du Louvre, Paris
Warriors and Mothers: Epic Mbembe Art
NEW YORK  •  Metropolitan Museum of Art  •  9 December 2014 - 7 September 2015
 
The figures created by Mbembe master carvers from southeastern Nigeria are among the earliest and most visually dramatic wood sculptures preserved from sub-Saharan Africa. Created between the seventeenth and nineteenth centuries, and striking for their synthesis of intense rawness and poetry, these representations of seated figures—mothers nurturing their offspring and aggressive male warriors—were originally an integral part of monumental carved drums positioned at the epicenter of spiritual life, the heartbeat of Mbembe communities.

Metropolitan Museum of Art Website


Contact:

The Metropolitan Museum of Art
1000 Fifth Avenue
New York, New York 10028-0198


Tel: (1) 212 535 77 10

“El Taller de Gráfica Popular: Vida y Arte
ATHENS, GEORGIA  •  The Georgia Museum of Art  •  13 June - 13 September 2015
 

The Georgia Museum of Art at the University of Georgia presents the exhibition “El Taller de Gráfica Popular: Vida y Arte” Consisting of approximately 250 works of Mexican sociopolitical art created by El Taller de Gráfica Popular (the Workshop for Popular Graphics, or TGP for short), the exhibition comes from a single collection but is wide-ranging and thorough in its coverage. It takes over the entire temporary exhibition wing of the museum’s building and is the most comprehensive in the world on the workshop since the 1950s. The museum has also published a catalogue reproducing every work in the exhibition, plus many supplementary images, the largest and best illustrated such book on the workshop in any language.

El Taller de Grafica Popular Vida y Arte

Founded in 1937 by Raúl Anguiano, Luis Arenal, Leopoldo Méndez and Pablo O’Higgins, the TGP included many notable 20th-century Mexican printmakers and a few important members from outside the country, including Elizabeth Catlett (an American) and Fanny Rabel (born in Poland). They produced large-scale posters (carteles), flyers (volantes), books, pamphlets, fine art portfolios, calavera newspapers and independent prints, all with the idea that art could serve as a tool, even a weapon. They fought for social change and against fascist aggression at home and abroad by informing and inspiring the Mexican people and like-minded organizations around the globe.

Michael Ricker, from whose collection the works come, said in a press statement, “Founded in 1937, El Taller de Gráfica Popular was perhaps the most prominent, prolific and political workshop in world history. From the expropriation of foreign oil interests and the support and protection of rural teachers to strong anti-fascist efforts and the promotion of civil rights, they addressed all the prominent issues of their day. For decades, the workshop poured out a relentless stream of posters, flyers, portfolios, prints, hilarious Day of the Dead newspapers, fine books and simple pamphlets. The workshop’s membership included many of Mexico’s finest and best-recognized artists. While virtually all were printmakers, they were also muralists, painters, sculptors and draftsmen. They were not los Tres Grandes (the Big Three [muralists Diego Rivera, David Alfaro Siquieros and José Clemente Orozco]), they were los otros (the others), los trabajadores (the workers), working for what they believed and placing their nation and its people before themselves.”



The Georgia Museum of Art Website


Contact: Georgia Museum of Art
90 Carlton Street
University of Georgia
Athens, GA 30602-1502
Tel: (1) 706.542.46 62

Robert Nanteuil (French, 1623–1678), <EM>Louis XIV, King of France and Navarre</EM> 1676.Engraving The Getty Research InstituteLos Angeles (2012.PR.70).
Robert Nanteuil (French, 1623–1678), Louis XIV, King of France and Navarre 1676.
Engraving
The Getty Research Institute
Los Angeles (2012.PR.70).
A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715
LOS ANGELES  •  Getty Research Institute  •  16 June - 6 September 2015
 

Fully appreciating the beauty and utility of prints, Louis XIV, King of France and Navarre and his advisors transformed Paris into the single most important printmaking center in Europe, a position the city maintained until the 20th century.

Commemorating the 300th anniversary of Louis XIV's death, A Kingdom of Images: French Prints in the Age of Louis XIV, 1660–1715 features nearly 100 works from the Getty Research Institute and the Bibliothèque nationale de France. Produced during the golden age of French printmaking—from grand royal portraits to satiric views of everyday life, and from small-scale ornamental designs to unusually large, multi-sheet panoramas of royal buildings, the exhiibition explores the rich variety of prints that came to define French power and prestige in the era of Louis XIV (1638–1715).

The exhibition was curated by Louis Marchesano, curator of prints and drawings at the GRI; Christina Aube, curatorial assistant at the GRI; prints specialist Peter Fuhring of the Fondation Custodia in Paris; and Vanessa Selbach and Rémi Mathis, curators of seventeenth-century prints at the Bibliothèque nationale de France.



Getty Research Institute website


Contact: 1200 Getty Center Drive
Los Angeles, CA 90049-1679
(310) 440-7300
Tel: (1) 310 440 73 00

Mercury (detail), Roman, A.D. 175-225; silver and gold
Mercury (detail), Roman, A.D. 175-225; silver and gold
Ancient Luxury and the Roman Silver Treasure from Berthouville
LOS ANGELES  •  Getty Villa  •  19 November 2014 - 17 August 2015
 

Accidentally discovered by a French farmer plowing his field near the village of Berthouville in rural Normandy in 1830, the spectacular hoard of gilt-silver statuettes and vessels known as the Berthouville Treasure was an ancient offering to the Gallo-Roman god Mercury. Following four years of conservation and research in the J. Paul Getty Museum’s Antiquities Conservation Department, the exhibition Ancient Luxury and the Roman Silver Treasure from Berthouville, on view at the Getty Villa.

While the treasure – consisting of about 90 silver objects weighing more than 50 pounds – was first discovered in 1830, it was not until 1861 and again in 1896 that the site was extensively surveyed and excavated, uncovering the foundations of a Gallo-Roman fanum, a square colonnaded precinct with two temples. One was dedicated to Mercury Canetonensis (of Canetonum), while the other was devoted to his mother Maia or his consort Rosmerta. A theater-shaped gathering space was also found nearby. The site survey did not reveal any evidence of an ancient settlement or cemetery in the immediate area, so it’s possible that Mercury’s sanctuary at Berthouville was a place of pilgrimage, perhaps visited during annual festivals. The most impressive objects in the Berthouville Treasure bear Latin inscriptions stating that they were dedicated to Mercury by a Roman citizen named Quintus Domitius Tutus.

The exhibition also presents a variety of precious objects from the collection of the Cabinet des médailles at the Bibliothèque nationale de France, one of the premier repositories of ancient luxury arts. The objects on display include the four newly restored Late Antique missoria , cameos, intaglios, gold coins and jewelry, marbles, and bronzes. These surviving artifacts from the Cabinet’s collection not only demonstrate the skills of Roman craftsmen but also provide valuable information about social relations at the height of the empire in the first to sixth centuries A.D. The four missoria, on view in the final section of the exhibition, were luxury objects in Late Antiquity. They were primarily intended to display the wealth, status, and cultural aspirations of their owners. The two largest platters are the famed “Shield of Scipio” (found in the Rhone near Avignon in 1636) and “Shield of Hannibal” (found in the Alps in 1714). The shape, scale, and imagery of these two platters led early scholars to erroneously identify them as votive shields of historical generals – the Roman Scipio Africanus and his rival, the Carthaginian Hannibal.



Getty Vlla Website


Contact: Getty Vlla
17985 Pacific Coast Highway
Pacific Palisades, CA 902
Tel: (1) 310 440 73 00

Beneath the Surface: Life, Death, and Gold in Ancient Panama
PHILADELPHIA  •  Penn Museum  •  7 February - 1 November 2015
 

Finds at the Precolumbian cemetery of Sitio Conte in central Panama shed light on a mysterious and complex society that thrived there more than 1,000 years ago. A high chieftain's grave site is featured; excavated by Penn Museum archaeologist J. Alden Mason in 1940, the burial contained glittering gold adornments and plaques embossed with animal-human motifs, pottery, tools, and weapons. This new exhibition offers contemporary perspectives on the people and culture from a range of scholars and scientists.

Gold plaque at left 
Panama
Sitio Conte
8th century

Rather simple anthropomorphic figure. Full face. Arms and legs outstretched. Legs end in immense claws; curved arms in a great crescentic hook. Spikes or arms and legs. Twin "tails" ending in hooks with series of hooks along edges. Narrow waist; intaglio triangle (equilateral) on chest. Satanic head on two supports in place of neck. Broad mouth full of triangular teeth. Queer ornaments (?) extending out to sides of mouth with hooks on edge. Animal-like upright ears. Horns or headdress with spikes and hooks. Oval eyes with raised pupils. Elongated nose nares. Two pair of suspension holes.



University of Pennsylvania Museum of Archaeology and Anthropology Website


Contact: University of Pennsylvania Museum of Archaeology and Anthropology
3260 South Street 
Philadelphia, PA 19104
Tel: (1) 215 898 40 00

Black Dolls: From the Collection of Deborah Neff
SAN DIEGO  •  Mingei International Museum  •  7 February - 5 July 2015
 

This exhibition presents over 100 unique handmade African-American dolls made between 1850 and 1940. Faithful yet stylized representations of young and old African Americans, the dolls portray playful boys and girls, finely dressed gentlemen and elegant young ladies, distinguished older men and stately, determined women of mature years. The dolls are believed to have been created by African Americans for children that they knew - members of their own families and communities as well as white children in their charge. Embroidered, stitched and painted faces express a variety of emotions–surprise, puzzlement, contentment and joy.

Black Dolls also includes rare nineteenth- and twentieth-century photographs of dolls, clutched by their young owners, or posed alone.



Mingei International Museum Website


Contact:

Plaza de Panama
Balboa Park
1439 El Prado
San Diego, CA 92101


Tel: (1) 619 239 00 03

Seth Eastman (1808–1875), <EM>Hunting the Buffalo in Winter</EM>Plate 10, printed by R. HinshelwoodFrom the collections of the Nicollet County Historical Society.
Seth Eastman (1808–1875), Hunting the Buffalo in Winter
Plate 10, printed by R. Hinshelwood
From the collections of the Nicollet County Historical Society.
Commemorating Controversy: The Dakota–U.S. War of 1862
WASHINGTON, DC  •  The National Museum of the American Indian  •  14 January - 29 December 2015
 

In the late summer of 1862, a war raged across southern Minnesota between Dakota akicitas (warriors) and the U.S. military and immigrant settlers. In the end, hundreds were dead and thousands more would lose their homes forever. On December 26, 1862, 38 Dakota men were hung in Mankato, Minnesota, by order of President Abraham Lincoln. This remains the largest mass execution in United States history. The bloodshed of 1862 and its aftermath left deep wounds that have yet to heal. What happened 150 years ago continues to matter today.

Commemorating Controversy: The Dakota–U.S. War of 1862—an exhibition of 12 panels that explores the causes, voices, events, and long-lasting consequences of the conflict.



The National Museum of the American Indian Website


Contact: The National Museum of the American Indian
Fourth Street & Independence Ave., S.W.
Washington, DC 20560
Tel: (1) 202 633 10 00

<P>Leonardo da Vinci: <EM>A Bust of a Warrior</EM>, c. 1475/1480Silverpoint on prepared paperOn loan from The British Museum, London © The Trustees of The British Museum, London</P>

Leonardo da Vinci: A Bust of a Warrior, c. 1475/1480
Silverpoint on prepared paper
On loan from The British Museum, London
© The Trustees of The British Museum, London

Drawing in Silver and Gold: Leonardo to Jasper Johns
WASHINGTON, DC  •  National Gallery of Art  •  3 May - 26 July 2015
 

Since the Middle Ages, artists have used metalpoint to create some of the most beautiful and technically accomplished drawings ever made. Interest in the medium peaked during the Renaissance when it was embraced by Leonardo da Vinci, Raphael, and Albrecht Dürer. Revived in the nineteenth century, metalpoint continues to be practiced today.

An artist working in metalpoint uses a sharp, pointed 
instrument (a stylus) with a metal tip to draw on paper, 
parchment, or wood that has been specially coated. As 
the stylus travels across this slightly abrasive ground, a 
small amount of metal is scraped off and remains behind,
 creating a line. Almost any metal can be used, though only lead, which is softer than others, can be used without a ground. When first drawn, all metalpoint lines, including those made by gold, appear gray, an optical effect that stems in part from the breaking down of the metal into tiny particles. Some metals oxidize, or tarnish, to different colors over time: silver, for example, generally turns golden brown. Others, such as gold, never tarnish and remain gray. Goldpoint appeals to some artists for this reason, although it was rarely used before the nineteenth century. Most of the drawings in this exhibition are silverpoints, by far the most common form of metalpoint through history.

Silverpoint is often considered a challenging medium. The lines can be difficult or even impossible to erase depending on such factors as the type of ground. Unlike pen or chalk, which can produce strokes of varying thickness or darkness depending on how hard artists bear down on the instrument, silver leaves a nearly uniform line. Nonetheless, the medium offers practical and aesthetic advantages: Its portability and convenience make it particularly suited for use in sketchbooks, as artists do not have to carry an inkwell or wait for ink to dry. Silverpoint is especially resistant to smearing and therefore has the added benefit of durability. Also, the precision and subtlety of its delicate lines render it ideal for capturing fine detail. Above all, it is the shimmering beauty of silverpoint that has attracted artists across the centuries.



The National Gallery of Art Website


Contact: The National Gallery of Art
National Mall
4th and Constitution Avenue NW
Washington, DC 20565
Tel: (1) 202 737 42 15

Gordon Parks:<EM> Husband and Wife, Sunday Morning, Detroit, Michigan</EM> (1950)
Gordon Parks: Husband and Wife, Sunday Morning, Detroit, Michigan (1950)
Gordon Parks: Back to Fort Scott
BOSTON  •  Museum of Fine Arts, Boston  •  17 January - 13 September 2015
 
Gordon Parks (1912-2006), one of the most celebrated African-American photographers of all time, is the subject of a new exhibition of groundbreaking photographs at the Museum of Fine Arts, Boston (MFA). Gordon Parks: Back to Fort Scott traces Parks’ return to his hometown of Fort Scott, Kansas and then to other Midwestern cities, to track down and photograph each of his childhood classmates. On view in the MFA’s Art of the Americas Wing, the exhibition’s 42 photographs were from a series originally meant to accompany a Life magazine photo essay—but for reasons unknown, the story was never published. The images depict the realities of life under segregation in 1950—presenting a rarely seen view of everyday lives of African-American citizens in the years before the Civil Rights movement began in earnest. One of the most personal and captivating of all Parks’ projects, the images, now owned by The Gordon Parks Foundation, represent a rare and little-known group within Parks’ oeuvre

Museum of Fine Arts, Boston Website


Contact: Museum of Fine Arts, Boston
Avenue of the Arts
465 Huntington Avenue
Boston, Massachusetts 02115
Tel: (1) 617 267 93 0

Mark Bradford: MATRIX 172 (detail)
Mark Bradford: MATRIX 172 (detail)
Mark Bradford: MATRIX 172
HARTFORD, CONNECTICUT  •  Wadsworth Atheneum Museum of Art  •  4 June - 6 September 2015
 

Mark Bradford grew up in South Central Los Angeles - where in 1965 the Watts riots upended his neighborhood and in 1992 the Los Angeles riots (ignited by the Rodney King verdict) resulted in mass arson, looting, assault, and murder in the same area and beyond. In the aftermath of the King riots, cyclone fencing was installed around the destruction and eventually merchant posters began to appear as the initial signs of an economic renewal.

Such everyday realities of the local community and urban landscape inform his racially and politically charged work. Known for tactile, signage-based and map-like collage paintings, Bradford’s trademark monumental, mixed-media abstractions layer string and advertising posters stripped from the city streets infamous for gang violence. The artist maintains his studio here in the same Leimert Park neighborhood where he lived until the age of eleven.

In his work, the layered posters are largely painted over, but offer glimpses of texts that betray the area’s problematic social and economic issues. Ads for bail bonds businesses, money-cashing stores, and paternity- and disease-testing clinics target and prey upon the grim realities of the tough, poor, inner-city community. These social and political interests intrinsic to Bradford’s “post-black” work are symbolically represented, veiled in abstraction.

For Bradford’s MATRIX project, he creates a site-specific wall drawing inspired by Sol LeWitt, the conceptual artist and Hartford native who is the founder of the “wall drawing” art form. (There are four Sol LeWitt wall drawings currently on view in the museum.)



Wadsworth Atheneum Museum of Art Website


Contact: Wadsworth Atheneum Museum of Art
600 Main Street
Hartford CT, 06103

<P>Herbert Bayer: <EM>Humanly Impossible</EM>, 1932Gelatin silver print15 5/16 x 11 9/16" (38.9 x 29.3 cm)The Museum of Modern Art, New YorkThomas Walther CollectionAcquired through the generosity of Howard Stein© 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn </P>

Herbert Bayer: Humanly Impossible, 1932
Gelatin silver print
15 5/16 x 11 9/16" (38.9 x 29.3 cm)
The Museum of Modern Art, New York
Thomas Walther Collection
Acquired through the generosity of Howard Stein
© 2014 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn

Modern Photographs from the Thomas Walther Collection, 1909–1949
NEW YORK  •  Museum of Modern Art  •  13 December 2014 - 19 April 2015
 
The Museum of Modern Art acquired more than 300 photographs from Thomas Walther’s private collection in 2001. Featuring iconic works by such figures as Berenice Abbott, Karl Blossfeldt, Manuel Alvarez Bravo, Claude Cahun, Alvin Langdon Coburn, Florence Henri, André Kertész, Germaine Krull, El Lissitzky, Lucia Moholy, László Moholy-Nagy, Aleksandr Rodchenko, Alfred Stieglitz, Paul Strand, Maurice Tabard Umbo, and Edward Weston, along with lesser-known treasures by more than 100 other practitioners, this exhibition presents the story of this key moment in photography’s history, allowing both experts and those less familiar with the medium to understand these photographs in new ways.

The Museum of Modern Art Website


Contact: The Museum of Modern Art
11 West 53 Street,
between Fifth and Sixth avenues
New York, NY 10019-549
Tel: (1) 212 708 94 00

One-Way Ticket: Jacob Lawrence's Migration Series and Other Works
NEW YORK  •  Museum of Modern Art  •  3 April - 7 September 2015
 
In 1941, Jacob Lawrence, then just 23 years old, completed a series of 60 small tempera paintings with text captions about the Great Migration, the multi-decade mass movement of African Americans from the rural South to the urban North that started around 1915. Within months of its making, the series entered the collections of The Museum of Modern Art and the Phillips Memorial Gallery (today The Phillips Collection), with each institution acquiring half of the panels. Lawrence’s work is now an icon in both collections, a landmark in the history of modern art, and a key example of the way that history painting was radically reimagined in the modern era. One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North reunites all 60 panels for the first time at MoMA in 20 years.

Along with Lawrence's series, the exhibition includes other accounts of the Migration from the era, including novels and poems by writers such as Langston Hughes, Claude McKay, and Richard Wright; music by Josh White, Duke Ellington, and Billie Holiday; photographs by Dorothea Lange, Ben Shahn, Gordon Parks, and Robert McNeill; sociological tracts by Carter Woodson, Charles Johnson, Emmett Scott, and Walter White; and paintings by Charles Alston, Romare Bearden, and Charles White. The range of works in the exhibition sheds light on the ways in which Lawrence drew upon and transformed contemporary models for representing black experience in America.

The Museum of Modern Art Website


Contact: The Museum of Modern Art
11 West 53 Street,
between Fifth and Sixth avenues
New York, NY 10019-549
Tel: (1) 212 708 94 00

Sultans of Deccan India, 1500-1700 Opulence and Fantasy
NEW YORK  •  Metropolitan Museum of Art  •  20 April - 26 July 2015
 
The Deccan plateau of south-central India was home to a succession of highly cultured Muslim kingdoms with a rich artistic heritage. Under their patronage in the 16th and 17th centuries, foreign influences—notably from Iran, Turkey, eastern Africa, and Europe—combined with ancient and prevailing Indian traditions to create a distinctive Indo-Islamic art and culture.

This exhibition brings together some 200 of the finest works from major international, private, and royal collections in order to explore the unmistakable character of classical Deccani art in various media: poetic lyricism in painting; lively creations in metalwork; and a distinguished tradition of textile production.

The Metropolitan Museum of Art Website


Contact: The Metropolitan Museum of Art
1000 Fifth Avenue
New York, New York 10028-0198
Tel: (1) 212 535 77 10

Thomas Hart Benton, <EM>Shipping Out</EM>, 1942Oil on canvas, 40 x 28 1/2 in. Property of the Westervelt Collection and displayed in the Tuscaloosa Museum of Art in Tuscaloosa, AlabamaPhoto by Chip Cooper. © Benton Testamentary Trusts/UMB Bank Trustee/Licensed by VAGA, New York, NY.
Thomas Hart Benton, Shipping Out, 1942
Oil on canvas, 40 x 28 1/2 in.
Property of the Westervelt Collection and displayed in the Tuscaloosa Museum of Art in Tuscaloosa, Alabama
Photo by Chip Cooper.
© Benton Testamentary Trusts/UMB Bank Trustee/Licensed by VAGA, New York, NY.
American Epics: Thomas Hart Benton and Hollywood
SALEM, MASSACHUSETTS  •  The Peabody Essex Museum  •  6 June - 7 September 2015
 
 
American Epics: Thomas Hart Benton and Hollywood explores how the motion picture industry influenced and ignited Benton's creative imagination. Melding Old Master European painting traditions with Hollywood's cinematic and production techniques, Benton reinvented 20th-century American narratives and captivated the public with his signature brand of visual storytelling

The Peabody Essex Museum


Contact: The Peabody Essex Museum
East India Square (161 Essex St)
Salem, Massachusetts 01970
Tel: (1) . 978-745 95 00

China Through the Looking Glass
NEW YORK  •  Metropolitan Museum of Art  •  7 May - 7 September 2015
 
 
This exhibition explores the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion is juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.

The exhibition features more than 140 examples of haute couture and avant-garde ready-to-wear alongside Chinese art. Filmic representations of China are incorporated throughout to reveal how our visions of China are framed by narratives that draw upon popular culture, and also to recognize the importance of cinema as a medium through which to understand the richness of Chinese history.

The Metropolitan Museum of Art Website


Contact: The Metropolitan Museum of Art
1000 Fifth Avenue
New York, New York 10028-0198
Tel: (1) 212 535 77 10

Piotr Ukla&#324;ski (born Poland, 1968),<EM> Untitled (Skull),</EM> 2000, Platinum printCollection of the artist
Piotr Uklański (born Poland, 1968), Untitled (Skull), 2000, Platinum print
Collection of the artist
Fatal Attraction: Piotr Uklański Photographs
NEW YORK  •  The Metropolitan Museum of Art,  •  17 March - 16 August 2015
 
 
Fatal Attraction: Piotr Uklański Photographs is the first survey of the Polish-born, New York-based artist’s photography. Known for working in a wide variety of media including installation, fiber art, resin paintings, and collage, Uklański (born 1968) invests overlooked and exhausted styles with new meanings—and similarly explores clichéd or obsolete photographic languages. Nearly half of the works on display in the Metropolitan Museum’s exhibition are from The Joy of Photography (1997-2007), the artist’s little-known series.

Contact:

The Metropolitan Museum of Art
Fifth Avenue at 82nd Street
New York, NY 100


Tel: (1) 212 535 77 10

Events in Classical Music

Yundi
Yundi
Yundi, piano
CHICAGO  •  Martin Theatre  •  5 July 2015
 
Chopin, Beethoven, Liszt. Schumann

Yundi, piano

Ravinia 2015



Detailed schedule information:
2:00 pm

Contact:

Ravinia
Highland Park, Illinois 60035

 


Tel: (1) 847 266 51 00

Events in Dance

DanceBrazil
DanceBrazil
DanceBrazil
NEW YORK  •  Joyce Theater  •  23 June - 3 July 2015
 
Captivating audiences with his mastery of capoeira, Jelon Vieira, Artistic Director of DanceBrazil, bases his aesthetic on this art form and works with capoeiristas who have learned their technique in the urban setting of Bahia, Brazil.

The spirited Joyce program includes Malungos, a new piece named for a slang word used among enslaved Africans traveling on ships to Brazil that indicated their commitment to each other. A similar sense of friendship and unity that exists within capoeira communities is a model, Vieira believes, for addressing social concerns in Brazil today.

The Joyce Theater Website



Detailed schedule information:
Tuesday 7:30pm
Wednesday 7:30pm
Thursday 8pm
Friday 8pm
Saturday 2pm & 8pm
Sunday 2pm

Contact: The Joyce Theater
175 Eighth Avenue (at the corner of 19th Street)
New York
Tel: (1) 212 242 08 00

Cinderella: American Ballet Theatre
NEW YORK  •  Metropolitan Opera  •  29 June - 4 July 2015
 
 

Cinderella
Music: Sergei Prokofiev
Choreography: Frederick Ashton
Set Design: David Walker
Costume Design: David Walker
Lighting Design: Scott Kepley, Wendy Ellis Somes, Brad Fields

Charles Barker, conductor

Cast

Cinderella: Hee Seo
The Prince: Cory Stearns

American Ballet Theatre

 



American Ballet Theatre Website



Detailed schedule information:
7:30 pm

Contact: Metropolitan Opera
Lincoln Center
New York, New York  1
Tel: (1) 212 362 60 00

Events in Jazz

¡Cubanismo!
OAKLAND, CALIFORNIA  •  Yoshi's Jazz Club and Japanese Restaurant  •  26 July 2015
 
¡Cubanismo! Latin orchestra

Yoshi's Jazz Club and Japanese Restaurant Website



Detailed schedule information:
7:00 pm, 9:00 pm

Contact: Yoshi's Jazz Club and Japanese Restaurant
510 Embarcadero West
Oakland, CA 9460
Tel: : (1) 510 238 92 00

Events in Pop Culture and Cinema

<P>Romeo Santos</P>

Romeo Santos

Romeo Santos
BROOKLYN, NEW YORK  •  Barclays Center  •  10 - 12 July 2015
 
Bronx native and Platinum star Romeo Santos for three concerts at Brooklyn's Barclays Center.

Barclays Center Website



Detailed schedule information:
8:00 pm

Contact: Barclays Center
620 Atlantic Avenue
Brooklyn, NY
Tel: (1) 800-745-3000

Taylor Swift
Taylor Swift
Taylor Swift: The 1989 World Tour
EAST RUTHERFORD, NEW JERSEY  •  MetLife Stadium  •  10 - 11 July 2015
 
Taylor Swift: The 1989 World Tour


Detailed schedule information:
7:00 pm

Contact:

MetLife Stadium
One MetLife Stadium Drive
East Rutherford,  NJ  07073


Tel: (1) 201 559 51 51

Photo: Larry Hulst/Michael Ochs/Getty
Photo: Larry Hulst/Michael Ochs/Getty
The Grateful Dead with Trey Anastasio, Jeff Chimenti and Bruce Hornsby
CHICAGO  •  Soldier Field  •  3 - 5 July 2015
 

The Grateful Dead with Trey Anastasio, Jeff Chimenti and Bruce Hornsby. In addition, The Grateful Dead's 50th anniversary Fare Thee Well shows pays tribute to deceased member Jerry Garcia.


 



Soldier Field Website



Detailed schedule information:
7:00 pm

Contact: Soldier Field
1410 Museum Campus Drive
Chicago, IL 60605
Tel: (1) 312 235 70 00

The Rolling Stones
The Rolling Stones
The Rolling Stones
ORCHARD, NEW YORK  •  Ralph Wilson Stadium  •  11 July 2015
 
The Rolling Stones


Detailed schedule information:
8:00 pm

Contact: Ralph Wilson Stadium
Orchard Park, NY


Classical Theatre of Harlem: <EM>The Tempest</EM>
Classical Theatre of Harlem: The Tempest
Classical Theatre of Harlem: The Tempest
NEW YORK  •  Marcus Garvey Park  •  5 - 26 July 2015
 

William Shakespeare: The Tempest

SummerStage and the Classical Theatre of Harlem proudly present William Shakespeare’s The Tempest, directed by Carl Cofield. This rendition of the famed play sets Prospero’s magical island on the enchanting island of Hispaniola, home to the Dominican Republic and Haiti – two tiny nations with storied battles for independence. With the characters of Ariel and Caliban representing the same longing for freedom and fighting spirit of Haiti, the play highlights the dynamics of freedom and captivity, imprisonment and rebellion, and authority and tyranny.



Summerstage 2015 Website



Detailed schedule information:
8:00 pm

Contact: Marcus Garvey Park
West 122nd St. and Mt. Morris Park West
New York, NY
United States


Mint Condition
OAKLAND, CALIFORNIA  •  Yoshi's Jazz Club and Japanese Restaurant  •  17 - 19 July 2015
 
Mint Condition

Yoshi's Jazz Club and Japanese Restaurant Website



Detailed schedule information:
7:00 pm, 9:00 pm

Contact: Yoshi's Jazz Club and Japanese Restaurant
510 Embarcadero West
Oakland, CA 9460
Tel: : (1) 510 238 92 00

<P>Photograph by Gian Paolo Barbieri for Gianfranco Ferré advertisement, Fall/Winter 1991. Model: Aly Dunne© GIANPAOLOBARBIERI.</P>

Photograph by Gian Paolo Barbieri for Gianfranco Ferré advertisement, Fall/Winter 1991.
Model: Aly Dunne
© GIANPAOLOBARBIERI.

Italian Style: Fashion since 1945
NASHVILLE, TENNESSEE  •  The Frist Center for the Visual Arts  •  5 June - 7 September 2015
 
 
The Frist Center for the Visual Arts presents Italian Style: Fashion Since 1945, an elegant exhibition that chronicles the birth and growth of the Italian fashion industry from the post-World War II recovery years to the present day. Based on new archival research, the exhibition explores the development of both womens- and menswear and highlights key designers and the outstanding techniques, materials and expertise for which Italy has become renowned. The show is curated by Sonnet Stanfill, curator of 20th-century and contemporary fashion at the Victoria and Albert Museum, London.

The Frist Center for the Visual Arts website


Contact: The Frist Center for the Visual Arts
919 Broadway
Nashville, Tennessee, 37203
Tel: (1) 615 244 33 40

Ken Regan: A Decade of Uncovered Images
NEW YORK  •  Morrison Hotel Gallery  •  12 June - 3 July 2015
 
 
Morrison Hotel Gallery presents Ken Regan - A Decade of Uncovered Images. This exhibit features rarely seen and previously unpublished images of Frank Sinatra, the Kennedys, Barbara Hancock, Elizabeth Taylor, Woodstock, the Black Panthers, the Mets, and the Beatles, among other icons by Ken Regan.

Morrison Hotel Gallery Website


Contact: Morrison Hotel Gallery
116 Prince Street, 2nd Floor
New York, NY 10012
Tel: (1) 212 941 87 70

One Direction
SANTA CLARA, CALIFORNIA  •  Levi Stadium  •  11 July 2015 - 11 July 2014
 
 
One Direction

Levi's Stadium Website



Detailed schedule information:
7:00 pm

Contact: Levi's Stadium
4900 Marie P. DeBartolo Way
Santa Clara, CA, US, 95054



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