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Travel Tip: Art and Archaeology in England
Gilbert & George: Major Exhibition Tate Modern



Gilbert & George: Major Exhibition Tate Modern
ENGLAND
LONDON  •  Tate Modern  •  Ongoing
 

Comprising more than 200 pictures made since 1971, the exhibition, designed by the artists, traces their stylistic and emotional development to the present day. The exhibition will travel extensively in Europe and America.

Rarely seen charcoal on paper sculptures, including The Nature of Our Looking 1970, and pieces such as Dusty Corners 1975 and Cherry Blossom 1976, feature alongside pictures from subsequent decades, including large-scale pictures such as Life Without End 1982 and Named 2001, which is over 15 metres long. All of the 45 groups of pictures are represented, including major quadripartite pictures such as Death Hope Life Fear 1984, Shitty Naked Human World 1994, and Nineteen Ninety Nine 1999. Gilbert & George have also created an important new group of six pictures for the exhibition entitled Six Bomb Pictures, comprising a 14 metre triptych entitled Bomb and five other pictures: Bombs; Bomber; Bombers; Bombing; and Terror. The artists have described this group as their most chilling to date. The exhibition also includes postcard pieces, films, books and documentation.

Gilbert & George: In the Shit, 1996
Gilbert & George: In the Shit, 1996
338 x 426 cm

George was born in Devon in 1942. Gilbert was born in Italy in 1943, in a small village in the Dolomites. They met as students on the sculpture course at St Martins School of Art, London in 1967, where they exhibited together and soon began to create art together. They adopted the identity of ‘living sculptures’ in both their art and their daily lives, becoming not only creators, but also the art itself. Since the early 1970s they have created pictures in series or groups of black and white, then coloured, pictures. They began to introduce bold colours in the early 1980s and subsequent groups usually include one or more pictures realised on a monumental scale. Each shares common motifs and conceptual and formal elements. Among the themes that recur are religion, sexuality, race and identity, what it is to live in a metropolis and the tensions and desires that can arise from the proximity of disparate cultural traditions and values.

The exhibition is being curated by Jan Debbaut, formerly Director of Tate Collections, and Ben Borthwick, Assistant Curator, Tate. It will travel to Haus der Kunst, Munich (June to September 2007), Castello di Rivoli, Turin (October to January 2008), De Young Museum, San Francisco (February to May 2008), MilwaukeeArt Museum (June to September 2008) and Brooklyn Museum of Art (October to January 2009). It is accompanied by The Complete Pictures, a comprehensive, illustrated, double-volume featuring 1479 plates with an in-depth analysis of their oeuvre by Rudi Fuchs. There is a 200 page exhibition catalogue which features essays by Jan Debbaut, Ben Borthwick, novelist and cultural commentator Michael Bracewell and art historian Marco Livingstone and this reproduces all the works in the exhibition.



Tate Modern Web Site


Click here for a Culturekiosque review of Gilbert & George.

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