The Cuban-American artist Jorge Pardo operates at once inside and outside of the art world. He views art largely through the perspective of design and architecture, and making no hierarchical distinctions between his paintings, sculptures, installations, buildings or lamps. Equally important is the framework within which his works are seen, be that a museum or a café. In this, Pardo’s practice taps into a long history of the intersection of art, design and architecture, seen as early as the 1920s and ‘30s in the work of the Hungarian artist László Maholy-Nagy.
Jorge Pardo is a retrospective that uses the architecture of the Museum to embrace the world of swiftly changing technology and question how art can be innovative and relevant in the 21st century. The exhibition, which follows the artist’s notable participation in the group exhibition .all hawaii eNtrées / luNar reGGae at IMMA in 2006, comprises a single work in the form of photomural wallpaper covering the walls of the entire East Wing Galleries.
Irish Museum of Modern Art Website
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