Polixeni Papapetrouís art practice has involved collaboration with her children and their friends for over 10 years. As they have grown and transformed so too have the roles they perform and spaces they inhabit. It is the awkward evolution of adolescence that informs the in-between space of The Dreamkeepers. To parallel the cripplingly self-conscious yet powerfully self-realising period of our lives, Papapetrou engages part reality, part fantasy from which a space of unreality emerges, the space of archetype. Here the anonymity afforded by masks separates her adolescent actors from who they really are, and allows them to stand in for us all. In this way, Papapetrou asks us to consider how masks, whether symbolic or literal, not only conceal identity, but also expand and transform it.
The aged masks do so in The Dreamkeepers by confounding adolescence, as the characters exude a quiet lack of self-consciousness, despite their disturbing appearance. They arouse a gentle pathos, reminding us of our own shapeshifting, of time playing out on our bodies and minds. The abstract meeting of these two ages may indicate the latent wisdom and self-acceptance that only realises with maturity, or the cyclical nature of our life spans that inevitably brings us back to the vulnerability of youth.
Also on view is a small selection of works from Papapetrouís current work in progress. Using ghillie suits, she transforms her actors into animate objects - rocks with life and seaweed with attitude.
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