|Despite their enormous popularity and apparent accessibility, Hopperís paintings are among the most complex phenomena within 20th-century art in the opinion of the exhibitionís two curators, Tomàs Llorens (Honorary Director of the Museo Thyssen-Bornemisza) and Didier Ottinger (Associate Director of the MNAM/Centre Pompidou). In order to demonstrate this point the exhibition is organised into two parts: a first half that covers the artistís formative years from approximately 1900 to 1924, represented through a comprehensive selection of sketches, paintings, drawings, illustrations, prints and watercolours that is complemented by works of artists as Winslow Homer, Robert Henri, John Sloan, Edgar Degas or Walter Sickert; a second half covers the years 1925 onwards, that focuses on Hopperís mature output and aims to illustrate his career in the most complete and wide-ranging manner possible. In order to do so, this section combines thematic groupings (recurring motifs and subjects in Hopperís works) with an overall chronological ordering.|
In all, the show includes 73 works and it offers an analysis of the artistís work structured into the two above principal sections. The first opens with Hopperís time in the studio of Robert Henri at the New York School of Art and covers the years of his training, with works from around 1900 to 1924 that start to reveal his particular and distinctive style. Paintings, drawings, prints and watercolours are displayed alongside various works by other artists including Henri, Félix Vallotton, Walter Sickert, Albert Marquet and Edgar Degas in a dialogue that recreates the one that existed between Hopper and these artists at the time.
Thyssen-Bornemisza Museum Website