Jean-Michel Othoniel (French, b. 1964):
The Secret Happy End, 2008
Murano glass, Saint Just's mirror glass, metal, vintage carriage, 106 5/16 x 145 11/16 x 59 1/16 in. (270 x 370 x 150 cm)
Brooklyn Museum, Gift of Galerie Emmanuel Perrotin, Paris/Miami, and the artist, 2010.11.
© Jean-Michel Othoniel
Jean-Michel Othoniel: My Way
BROOKLYN, NEW YORK • Brooklyn Museum • 17 August - 7 December 2012
This exhibition presents a survey of the twenty-five-year career of Jean-Michel Othoniel (French, born 1964), from his first intimate, enigmatic works made of sulfur and wax to his recent large-scale, colorful glass sculptures. Working with these mutable materials, he has fashioned a poetic visual language to explore themes surrounding the body, beauty, desire, and metamorphosis.
The title My Way references Othoniel’s idiosyncratic path among various movements in contemporary art, including Arte Povera, Minimalism, Conceptual art, and Surrealism; he has also been influenced by artists such as Constantin Brancusi, Sophie Calle, and Félix González-Torres. Works on view include embellished heraldic banners, Murano glass sculptures, and magnified necklaces and knots, which conjure an intensely personal mythology while also evoking the fantasy universe of the fairytale. A Secret Happy End, a large-scale sculpture in the Museum’s collection, will be on display in the first-floor lobby in advance of the exhibit, July 25–December 2, 2012.
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