|Parsons The New School for Design presents The Public Private, the first major New York exhibition of contemporary art that explores the impact of social media and new technologies on the relationship between the public and private realm.
“Social media has radically redefined the boundaries between the public and the private,” said curator Christiane Paul, an associate professor in the School of Media Studies at The New School and the adjunct curator of New Media Arts at the Whitney Museum of American Art. “The messages, images, as well as likes and dislikes we share with friends and families are accessible to corporations and subject to commercial and social data mining. Our daily moves are open to various forms of tracking. What was once considered personal and private has become increasingly public in a cultural shift, entailing a reformulation of our identity.”
The artworks brought together in The Public Private—several presented for the first time in the United States—address these issues from psychological, legal, and economic perspectives and use strategies ranging from hacking to self-surveillance to reflect upon the profound changes in our understanding of identity, personal boundaries, and self-representation.
Among the works on view are Paolo Cirio and Alessandro Ludovico’s Face to Facebook, showing for the first time in New York. It is a multimedia installation of one million Facebook profiles, which were appropriated by the artists, filtered using facial-recognition software, and then posted on a custom-made dating website. Eva and Franco Mattes’s The Others is a video installation composed of 10,000 photos the Matteses acquired through a software glitch that gives remote access to personal computer files. The core of the work is not just the presentation of these images, but the act of “stealing” and moving them from the private into the public realm.
Other artists and works represented in the gallery include Jill Magid’s Evidence Locker, Luke Dubois’s Missed Connections, Wafaa Bilal’s 3rdi, Carlo Zanni’s Self Portrait with Friends, Panoptic Panorama #2: Five People in a Room by James Coupe, Paolo Cirio’s Street Ghosts, and Ben Grosser’s Facebook Demetricator.
Public programs, including conversations with the participating artists, will take place during the exhibition run. For more information, visit the SJDC website.