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Beauty’s Legacy: Gilded Age Portraits in America

Théobald Chartran (French, 1849 –1907): <EM>James Hazen Hyde</EM> (1876-1959), 1901Oil on canvasNew-York Historical&nbsp; SocietyGift of James Hazen Hyde, 1949.1
Théobald Chartran (French, 1849 –1907): James Hazen Hyde (1876-1959), 1901
Oil on canvas
New-York Historical  Society
Gift of James Hazen Hyde, 1949.1
Beauty’s Legacy: Gilded Age Portraits in America
NEW YORK  •  New-York Historical Society  •  Ongoing

Beauty’s Legacy: Gilded Age Portraits in America examines the remarkable critical and popular resurgence of portraiture in the United States during the late-nineteenth and early-twentieth century. With the amassing of great fortunes founded on industrial expansion, came the impetus to document the appearance of those who propelled and benefited from burgeoning wealth, thus echoing a cultural pattern reaching back to the colonial era.

Beauty’s Legacy includes portraits of prominent New York sitters including Emma Thursby, Samuel Verplanck Hoffman, Mary Barrett Wendell, Reverend Henry Codman Potter, and Mary Gardiner Thompsonby done by such American artists as John Singer Sargent, James Carroll Beckwith, George Peter Alexander Healy, Daniel Huntington, Eastman Johnson, and Benjamin Curtis Porter. Paintings of other New Yorkers including James Hazen Hyde, Georgina Schuyler, Samuel Ward McAllister, Cortlandt Field Bishop, Leonard and Rosalie Lewisohn, and Samuel Untermyer by Léon Bonnat, Bouguereau, Carolus-Duran, Alexandre Cabanel, Anders Zorn, and Théobald Chartran reflect the vigorous American demand for portraits by European artists.

A catalogue accompanies the exhibition which will include essays by Dr. Gallati as well as Dr. Valerie Steele, Director and Chief Curator of the Museum at The Fashion Institute of Technology.

New-York Historical Society Website

Contact: New-York Historical Society
170 Central Park West
New York City, NY 10024

Tel: (1) 212 873 34 00

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